Starting up after Winter Break



THINGS TO DO ONLINE (and/or at Liberty)


Halter with savvy / touch horse with hands / stick and string rhythmically / with rope / plastic bag / flag / ball / saddle pad / saddle. In front of horse, beside horse, next to horse, further away and around horse.

From gentle up to extreme familiarisation.


2) MOVE FROM A FEEL / TOUCH – steady pressure:

Back up from chest and nose, up to 20 steps using pulsing pressure and always looking for lightness and NO BRACE in horse.

Move forehand over (keeping hq’s still and also with hq’s moving slightly in a circle), using pulsing pressure – up to a full circle.

Move hindquarters over (criteria as above but keeping fh still).

Head down, using lightness and as much time as needed for understanding. Hand on poll and using light pressure on rope.

Pick up feet using touch/squeeze of chestnut method…working towards being able to pick up all four feet individually from one side.


3) MOVE FROM YOUR FOCUS / INTENT – rhythmic pressure:

Use alpha phases at all times (thought/energy/body cue/tap air in 4 phases up to to tapping horse in a non aggressive way…pulsing pressure).

Slowly and gently disengage hindquarters (up to full circle, criteria as with porcupine)

Move forehand (up to full circle)

Walk backwards with pulsing pressure infront of the horse.

Drive horse to obstacles/touch it – point 2 point, using driving game with you next to horse by neck/shoulder.


4) DRAW & DRIVE – transitions: 

With gently pulsing alpha phases and NO WIGGLING of rope unless blocking unwanted moves.

Backup horse to end of 12′ and then 22′ lines and draw with line still on the ground.

Yo-yo you and horse together in sychronised moves, keeping at least 6 paces between you both at all times.

Back and draw between cones, over and back with poles, stable doors, gateways and lower head and back up (making sure no brace or resistence in head down, teach slowly again)



12′ line – walk / up to 6 continuous laps (in a calm, relaxed manner, no stops until you say so with a DHQ)

12′ line – trot / up to 4 continuous calm laps

22′ line – walk / 8 laps (as above)

22′ line – trot / 6 laps (as above)

22′ line – walk 1 lap to left, change of direction, 1 lap to right then dhq. (or right first then left!)

22′ line – trot 2 laps left, change of direction (keeping gait), 2 laps to right then dhq. (or right first then left).

22′ line – moving circles to left, right and with changes of direction up and down field.

*NB. remember COD’s are an engaged move which stay in gait NOT a disengaged move where gait changes..key to this is to be light on the rope when drawing and to walk backwards to pulls.



12′ line – by fence / through gateways large and small / into and out of stable.

22′ line –  over jump / over pole by fence / over tarp in walk and trot / onto tarp, halt, walk off / onto tarp, backup, walk over (keeping horse further away from you at all times…use as much 22′ line as you can)

Horse should not go behind you at all, this game is a half circle in front of you each ending must be a GOOD DHQ, HALT & RELAX.



Calmly at fence to start with.

12′ line – 6-10 steps left and right.

22′ line – 10-20- steps left and right (with you at least 10′ away from horse)

Without fence: at least 10′ with very little forward motion from horse and very very little wiggling. pulse that energy.



Back/sidepass left and right: (rolling rock),  Back up, turn forehand, sideways, turn hq’s, back up, turn forehand other way, sideways, turn hq’s, back up…relax)

1/2 Circle game on the move:  with you walking forwards and DHQ’s at sides each time…disengaged move (in walk and trot)

Fig8’s on the move: with you walking backwards…engaged move (in walk and trot)

Leading game: walk forward to destination, dhq half circle then straight into moving fh half circle, you on other side of horse travelling original direction (in walk and trot)

Fig 8’s: 12′ line / walk 4 laps (very little walking from you)

Fig 8’s: 22′ line / trot 4 laps (as above)

Weave: 12′ line / 4 cones, 4 laps

Weave: 22′ line / 4 cones, 4 laps (you at least 6′ away from horse)

Touch it: Nose / 12′ line between 4 obstacles (in walk)

Touch it: Nose / 22′ line between 4 obstacles (you at least 10′ away from obstacle in walk and trot)

Toss Rope: Over head / 12′ line (from in front and beside neck area horse with relaxation)

Toss Rope: Over head / 22′ line (from saddle area, you facing forwards, remember to toss rope with outside hand)

Rope around Spin: 22′ line (toss rope over head, hold snap by halter, standing at shoulder, toss rope over butt and play friendly game with rope between your hands, let go of snap, push head away from you then face his shoulder and gently pull rope for him to spin..make sure you walk away from the shoulder keeping out of the kick zone)

Leg yield on circle: to help stiffness and brace out of horse. Walk circle, drive horse from Z3, porcupine at shoulder or behind shoulder as walking to create an arc in his body and leg yield away from you (in walk and trot)

Sidle for mounting: Sit on fence or stand on block. Hold halter at snap to stop forward motion, ask for hq’s to move TOWARDS you, reward often and rest and stop when horse in mounting position. Then dhq’s away from you and do again. When good at doing on ‘normal’ side of horse, practice on off side too 😉

Stick 2 Me: Horse to follow your thought/energy/body cue (tap only if necessary), you in neck/wither area, lead with outside hand. Walk on / halt. Walk on / halt / walk on. Walk on / trot / walk / halt. Walk on / trot / walk / halt / back up. And all combinations of these 4 things. Work on Left and Right sides too.



Make up reins with 12′ or 22′ line or use clip on reins.

Sidle horse to mounting block.

If relaxed mount.

Lateral Flexion calmly at standstill, left and right.

Disengage Hindquarters calmly, left and right. (Indirect Rein)

Move forehand calmly, left and right. (Direct Rein)

Using lightness and one rein at a time,

Then: LF and DHQ from a walk in small, safe area, building up to bk/h/w/t transitions looking for lightness and connection to breathing/energy/thoughts.


ALSO something to not forget nor neglect is Undemanding Time and Mirror Your Horse.

a) Undemanding Time: go sit with you horse in his environment (or walk companionably with in-hand grazing), make no demands, don’t ask him/her over, don’t interact unless he comes to you. This is time that can be spent reading or doing homework, watching dvd’s or YouTube and allows your horse to know that you can just ‘be with them’ without any agenda.

b) Mirror Your Horse: this one you can do at liberty in your field or on a loose line in the field or with in-hand grazing outside your field. You need to totally give yourself up to mirroring your horse. Find out how he/she puts her front feet down, where is the weight distribution, how does he/she move the foot parts? What about his/her energy and breathing. Can you breathe with your horse. Can you stand totally still and relax or sleep with your horse and totally be with them in their world. This is a great exercise in connection and again allows you to be in their world without an agenda.

See Blog ‘ARTICLES’ for more info on some of the above. It might be an idea to print this off and tick things when you’ve done them. Remember, this is just starting up so we’re just checking things are still there from last year and progress on all of the above and more can be done after these are in place with lightness, politeness, relaxation, willingness, impulsion and flexibility to the smallest degree, they’re just checks.


  • Shelley – HorseSavvy


For more info and to buy instructional DVDs go to my website at


I’ve found, through my own journey as a student and now as an instructor, that breathing is one of the main things I think and talk about. Why, I hear you say? we all breathe so why do I need to talk about breathing? Well, funnily enough, quite often we forget to breathe, especially in a calm, soft, rhythmic way, in all sorts of situations such as:

Concentrating on learning something

Fear of something known coming up

Fear of something unknown coming up


Intent focus on one thing

We go introverted and many other reasons.

Horses are very aware of breathing and if we hold our breath for any reason the horse feels this, our body changes from soft to slightly stiff. Holding our breath could be interpreted by a horse as us going introverted, thereby they need to start leading, it could be interpreted also as us in a freeze moment before flight and the horse goes on edge ready to flee with us, whatever the reason holding our breath isn’t good. Irregular breathing isn’t good either as it doesn’t ‘flow’ well or give harmony to our movements.

What we need to do when around our horses is to remember to breathe, it helps to relax us and our horses and we can start using our breathing as a cue to what we want. To help us do this there is an exercise we can start doing on the ground that will help us to remember to breathe, start doing this as soon as you are confident and comfortable leading your horse around with the Stick 2 Me principle (see S2M article).

1) You at horses neck (or further back as your progress your Stick 2 Me exercise), horse working in a nice confident, rhythmic walk with you.

2) Get in time with your horses front feet, left to left, right to right.

3) Start counting footfalls, 1,2,3,4….1,2,3,4…..1,2,3,4.

4) Breathe in for the count of 4. Breathe out for the count of 4.

Once you start getting a good breath routine of 4 in, 4 out then start trying to relax your lungs and stomach and getting more breaths in/out without changing the rhythm of your footfalls. You will hopefully find that you can count to 5 in, 5 out very quickly, then 6 in, 6 out and onwards. See how far you can count BUT don’t forget to play Stick 2 Me with your horse and walk lots of patterns to keep him/her interested. Don’t become TOO focused on your breathing and forget other things. It may be good to start practising counting breaths whilst just walking without your horse, maybe while walking your dog or walking down the road. If you find you are forgetting to breathe a lot then maybe sing or whistle as you have to breath regularly to do these.

Start teaching stop/start cues with breathing. From halt to walk breathe in and bring your lungs/chest upwards and forwards for a walk on cue. Big Breathe out (make a noise like blowing out birthday candles) and bring your lungs/chest down for a halt.

breathingBig breath out to halt, using obstacles to refine this to perfection

Once you have the stop/start cues then you can start refining this to where you can breathe out slightly and continue breathing at that level for a transition down without a stop. Each horse/human finds their own levels of breathing in/out that they respond to so you must practice and find what works for your horse and you to become more in harmony. Just remember breathe out for slower/stopa nd breathe in for walk/trot/canter on.

Also remember to breathe and count steps when riding, this can really help you and your horse to relax, especially when doing  lateral moves or a dressage test and if you are doing a jumping course you will find you and your horse relax if you can teach yourself to remember to breathe OUT when going over the jump.

Again, as with all the exercises and principles I’ve written about, once you have thought about them, practised them and incorporated them into your way with your horse it becomes instinctive and only when you go somewhere new, or something unexpected happens, do you have to remember to breathe, and you can go straight to counting breaths to bring about relaxation again. All the principles can be refined and refined and refined again…remember, we’re aiming for ‘Invisible Horsemanship’

  • Shelley – HorseSavvy



Stick 2 Me



Stick 2 Me is where a horse and human connect through thought, energy and body cues in a synchronise  ‘dance’. I use this ‘dance’ more than any other as it brings together ‘Mirroring’ and ‘Awareness & Focus’ (see previous articles on these).


I start S2M with halt/walk transitions online, then I add backup, then I add trot and often then go to a neck rope and then liberty. I then add canter but only when there is a real connection to the transitions. I take slow steps and never progress onwards until the lower gaits are in place well.  S2M is also how I like to lead a horse.

Here are the steps I use to do this:

1) I hold the lead rope in my outer hand, standing by my horses head/neck with my inner hand on the horses shoulder.

2)  I breathe in and think ‘walk on’ in an ‘up and forward’ body cue.

3) I count two (or more if a slower thinking horse) before moving off, then breathe normally.

4) If the horse does not follow then I try the steps above again and then tap on the horses shoulder with my inside hand as a cue to move forward. If tapping the horse doesn’t work then I put the lead rope in my inside hand and create some impulsion by swinging the end of the lead rope towards the horses rump. Soon the horse will be listening to my breathing cues to walk on and the tap is not necessary.

5) I try to make sure our footfalls are the same, left with left, right with right so that we are more harmonious.

6) When going up a gait I again breathe in with the thought in my mind of ‘up and forwards’ into that gait, then I wait two seconds before doing that gait in my body. My aim is to be able to simulate the gait I want in my focus and core without having to physically trot/canter myself.

7)  When going down a gait I breathe out loudly so that my horse can hear me, this lowers my inner energy for a halt or backup.

8) When going down a gait but not stopping I make sure my breath out is only to the level of gait I want, this takes a while to get right and testing your breath out and breath in and seeing the results your horse gives you is the guide to how much you need to do. Remember that a BIG noisy breath out should be halt and by refining your core breathing you will find those subtle gait changes as you go along.

Once I have a good connection with a horse the techniques of stick 2 me can become quickly refined and will start to look like you are using invisible cues. But to do it well you need a lot of practice to really get into our horses hooves through our thoughts, energy levels and body language.

When starting to play with stick 2 me I often follow the horse in a mirroring style, this helps the horse relax and start to notice me more. Then whilst I’m following him I will put in some of my own moves to see if he will follow me. The horse, being a curious animal by nature when confident and safe, will start to notice that and I continue this exchange of ideas between us until after a while we are following each other and often you can’t tell who is following who, we’re just together.

I start Stick 2 me by standing next to the horses head or neck, then I work from the shoulders, later on I work near the hip and then I see if I can lead from behind the horse with him out in front of me. I also make sure I work on both the left and right sides equally to help with my relaxation and flexibility principles.
Stick 2 Me

  • Shelley – HorseSavvy








Awareness & Focus

awarenessfocusAwareness is being in the moment, knowing what is going on around us in the environment and also inside us, our feelings. Focus is having a plan. I use Mental focus and Body focus

Mental focus is basically our thoughts. Good mental focus involves taking a plan and breaking it down into smaller steps, visualizing those individual steps so that our bodies follow that picture and building it all up to have the plan in action.

Body focus is knowing about and using body language. Knowing the way our body moves, with energy and purpose.

What you need to be aware of when around your horse are things like where your body is in relation to his, is he pushing into your personal space, is the environment safe, where are other horses in the field and how are they behaving! All these things take awareness and if your horse sees and feels your awareness and confidence then he can be confident that you’re looking after the situation.

With awareness and focus we learn to know how the horse moves and where the horse is likely to move to. They understand body language very well so it is us that needs to learn how to use ours better to help us become in better harmony with them.

Once we’ve learned about awareness and focus they become second nature. It’s like driving a car, when you start you have a lot to think about such as checking the mirrors, changing gears, which foot for acceleration or braking and indicating left and right, and also where all the other car users are. Also all the smaller things such as keeping windows clear for vision, checking the petrol and oil, making sure the engine is running smoothly and many other jobs. It seems overwhelming to start with but soon we do it all instinctively, and this is what learning invisible horsemanship is like too. Once we learn how to be aware and to use our focus well it all becomes second nature.

To have a horse confident in us because we’re aware of everything and so focused we don’t get side tracked is the mark of someone our horse is happy to follow.

  • Shelley – HorseSavvy

Mirroring Your Horse

I have had many people asking how I get my horses SO in tune with me but I explain that it’s more of me being in tune with them first, then them getting in tune with me and then us having a mutually focused partnership through trust and respect.

MirrorWhen I first started my journey into Natural Horsemanship my horse Tara and I had quite a good relationship, getting into the journey more and allowing my horse to have a ‘say’ about things that we did together brought around a turn of events that really foxed me and I didn’t know what to do. She decided that she really didn’t want to be around me (or any human really) and giving her the freedom to choose to run off whenever I asked her to be with me was a hard decision. I can understand why many people start Natural Horsemanship with this same intent only to be foxed like this and going back to their normal routine with the thought that NH had ruined their horse BUT I decided to figure out what Tara needed from me so that we could continue our journey and start that partnership that I always wanted.

What I realised pretty quickly was that Tara was quite a shut down horse, quiet, calm, sensitive and did ‘as she was told’ because that’s the way she had been trained. Being such a sensitive soul she showed her ‘compliance’ by being obedient but not willing, by which I mean she did what I asked in a slow, bored way that made me work harder than her and if I really asked too much she went ‘blank’ or would try to run off, especially at liberty where the truth always comes out.

So, after much thought I knew that I needed Tara to catch me in the field not the other way around. She was very good at being caught, standing still and freezing whilst I put the head collar on but if I asked her to catch me she’d run off and that wasn’t the partnership I wanted with my beauty.

I woke up one day and had an idea…’I’m going to mirror her today and try to be with her in her world, show her that I can be there as a herd member and not just with her for training’. This decision helped me to realise that to have a partnership with my horse I needed to request things with a two way conversation rather than demand things and to see if I could gain willingness rather than servitude.

So, I started off in the field about 50’ away from her (she turned her head away if I got any closer and I knew that was her cue for leaving), I started stepping as she stepped, turning when she turned and stopping when she stopped. After a few hours and lots of slow progress I was standing about 5’ away from her, taking each slow step with her as she grazed, putting weight on the back, front or side of my foot like she did as she slowly moved. I turned my head the way she did, lifted it when she did, started to see her muscles move in her legs, her chest move as she breathed.

After another few hours we were very much in harmony, steps, moves, breathing and then about 5 hours into the experiment she stood for about half an hour totally still, almost asleep watching over the other three horses as they lay down to sleep. This part was hardest of all. I moved, brushed flies off me, scratched itches and generally not ‘in the moment’ with her at all. BUT I did start to realise this and managed to really become a sleeping horse with her, it was like meditating. In a HUGE moment she then lay down next to me and I sat down with her for another 15 mins. That moment will always be very special in my life as she showed me that to be in her world, on her time, with her peace she was willing to allow me in and showed me true trust by laying down with me.

Since that moment Tara has always come to catch me but I have to ask her permission to enter her realm every time by squatting down when she looks at me and open my heart to shower her with thoughts of love and when I do that and open my arms to her she comes to me willingly on her terms.

She has taught me patience I never knew I had and the awareness that if I allow things to happen through mutual respect and trust then it will happen, but I have to believe. It’s not just about what I want, it’s about what we want together, as partners.

I also find that when I play the game of ‘Stick 2 Me’ that I can quickly get connected with her, and other horses, physically, mentally and emotionally because of the things I learned from those 6 hours one day on a Scottish hillside.

So, if you ever have the time to dedicate to mirroring your horse and not put a time limit on it then I really believe you and your horse can find deep bond by doing this. I’ve done little bits of this with Tara now and then and have done similar, shorter versions of it with the other members of our herd. It really does help to teach about how a horse moves, watching what they do during a day and reminds me daily that when I play or ride them that I’m doing a lot more with them than they do themselves when left to their own devices in their herd so I try to mirror them a bit and see if they’ll mirror me in the start of our dance together and that then brings about the game I play called ‘Stick 2 Me’ which I will talk about in another article soon.

Image00003You can also ‘Mirror Your Horse’ when riding. Make sure your horse is calm, remembers you are up on it’s back and not spooky before doing this, start in a small area like a round pen. Allow the horses movement to move your body in harmony with it’s own. Shoulders with shoulders, hips with hips. This task will find you a better seat and balance and allow you to not ‘be in control’ all the time, to allow the horse to have some say in your journey together. Friendship and partnerships are all about both sides having a say so enjoy learning how your horse moves and keep breathing in harmony too.

* Shelley – HorseSavvy



The Connection


I often get asked why I work so much at liberty with my own horses and my reply is ‘to test our connection’. For me it’s this connection that holds the key to everything I do with horses, all ground work, handling and ultimately riding. But how is this connection created?

For me it is very much a mental (focus) and heart (emotion) connection that is created by being ‘in the moment’ and ‘with the horse’ at all times when in their company. It is also integrated with the ‘energy’ of my body. If I can focus on what I want to achieve with my horse and on what my own body is doing then we can become ‘connected’. SO, everything I do, feel, breath and focus on transfers to my horse. I think positively on what I’m trying to do NOW and allow my body and mind to shape the body and mind of my horse so that we become ‘dance partners’.

Slowly the connection can become deeper and deeper so that my physical/body moves become more invisible but my inner mind/focus becomes stronger and once the horse is invited to partner up they really follow that focussed lead.

It can be hard to achieve if your mind is constantly thinking of other things so the first task you have to try is to empty your mind of other things and just be in the moment with your horse. It’s like a dance where we collectively move together that brings about a mutual understanding of space around us.

A more visual way of thinking about your horse connection can be of how you share space together and I will write more about Sharing Space in another article.

  • Shelley – HorseSavvy


‘Can you draw your horse OR is your horse drawn to you’ 😉


Liberty Challenge 9

Just 5 challenges this time but push your progression to do these in an open field. Start slowly in a small area and work up to a higher gait in a bigger area. CHALLENGE YOURSELF to progressive, positive changes so that you and your horse get  more and more connected in a common language that create signals for all that you do together.

1) Weave around cones on a circle.
Use as many cones as you like, 5 is the minimum on a circle. Make the circle large or small depending on your skill and your horses flexibility. Start in walk together and build up to trot and more distance between the cones and you and your horse.

2) Stick 2 Me Transitions.
Use as many transitions as possible, be on the left and right of your horse and see how straight you are together.

3) Jumps.
Big or small jumps, as many or as few as you wish and done how you like, either one and stop, turn and jump again OR as a small liberty course…it’s up to you to know you and your horses abilities but remember to build up to more difficult jumps as you go and higher transitions between.

4) Spins.
To left and right and even spins whilst leading your horse, see what you can do.

5) Back horse up from behind.
Use cue from tail or any other you may have, do a least 6 steps and more if you and your horse are up for it.

I will be doing these 5 Challenges in our 10 acre field with the other herd members grazing around us. I test my horses connection to me by working in this area as they have the freedom to run off if they want or to stay with me. I cannot run as fast as they can but have a good draw back to me if they go faster than me. How connected to you is your horse in a big field?


Liberty Challenge 8

Remember to do it at you and your own horses pace and level, the horse owns the time you take for this so don’t push, just encourage for more effort, lightness or precision as you go along. If you need to do it in walk online then do so but remember to progress as much as possible and practice it over the whole month to see improvements. Come back to the challenge at liberty and ridden when you are ready to do so.

1) Liberty & Ridden: Push a ball through two raised poles

2) Liberty & Ridden: 4 x trotting poles (any spacing you think best for your horse)

3) Liberty & Ridden: Canter down a bunting corridor (liberty: handler to stay outside corridor)

4) Liberty & Ridden: Turn on the forehand (front feet pivot whilst hindquarters turn 360*)

5) Liberty & Ridden: Trot a clover leaf pattern around cones (Pattern explanation below)

6) Liberty & Ridden:  Jump/halt/sidepass off jump (if you do not know this move or don’t wish to teach it then jump and halt straight after jump then sidepass a few steps)

7) Liberty & Ridden:  Transitions (whatever 2 or 3 transitions you are good at)

8) Liberty& Ridden:  Use cones to ride the outside and/or inside of a square….forwards / sidepass / backwards / sidepass

9) Liberty & Ridden: Familiarisation on the move (try at walk but trot if you can)

10) Liberty & Ridden: walk into water tray, halt in the tray then walk off  (or a foot in a bucket with water in it! I have a plastic jump water tray I will be using…you could also put an intact tarp on the ground and roll up the edges around jump poles to make a pool and put some water in it!)


NB…CLOVERLEAF PATTERN: this is walking/riding a shape like a 4 leaf clover. First set up 4 cones at equal distances from each other in a square. To walk at liberty or ride it you need to then choose to either just do left or right turns around the pattern…you shouldn’t do both unless you do the pattern twice!

The first move is to walk/trot straight through the centre, then turn left and do a left circle around 1st cone back through the centre of the square then circle left around 2nd cone, back through the centre and then circle left around 3rd cone, straight through centre and then circle left around 4th cone and then onto next task.

To do the cloverleaf outside this challenge I usually always start and stop in the centre of the square of cones so that the horse is always searching for X at the centre, Picture of map of tasks below hopefully will help too.

  • Shelley – HorseSavvy






Liberty Challenge 7

Try this Challenge at Liberty and also Ridden, preferably bitless or even bridleless if you are that advanced.

If you are just starting Liberty work you can play around with these tasks online. All tasks are changeable and do what is best for your horse and your abilities. If something is too hard then do something similar  and then progress to the harder tasks as you practice over time.

1) Liberty or Ridden: Open gate, squeeze horse through any way you want, close gate.

2) Liberty or Ridden: Trot through narrow gap, halt just before end and back up through gap. Trot on out of gap.

3) Liberty: Trot weave around 6 cones in a straight line with flags (or something flappy) in them. Horse to weave, handler to stay on one side and direct horse in weave.

Ridden: Either trot weave or weave using leg yields in walk

4) Liberty & Ridden: Jump small jump, handler to run alongside with liberty one

5) Liberty & Ridden: Drag an object for 10′, you and horse side by side, and then turn horse and yourself to drag with you and horse backing up together.

6) Liberty: Trot onto tarp and halt then turn the horse 180* any way and trot off again.

Ridden: Trot onto tarp, halt then 180* turn on the forehand (ie. turn the horses hindquarters and pivot forehand)

7) Liberty & Ridden: Ask horse to follow you around a Labyrinth pattern

8) Liberty: Trot your horse through some sort of ‘washing line’ with clothes hanging of it.

Ridden: Same (or if you and horse not used to going under things then go to washing line, take one item off the line and ride with it around the line where you put it back up on the line without horse worrying)

9) Liberty & Ridden: Trot fig 8’s twice around two barrels or tall  obstacles. Obstacles close, about 5-6 paces apart.
NB. Large obstacles could be 3-4 tyres stacked on each other or a tall jump wing!

10) Liberty & Ridden: Sidle over a largish pole, left feet on one side, right feet on the other side. (Try to use a pole thicker than the average jump pole)
NB. If cannot sidle one side of horse over then do 2-4 feet over then back up over it.

11) Liberty: Get a flag and wave it about whilst walking around your horse.

Ridden: Wave flag whilst sitting on horse.

  • Shelley – HorseSavvy






Ridden bitless

Ridden Bitless and Bareback

First time EVER ridden agility bridleless on Solly




Liberty Challenge 6

Remember this can be done online if you’re just starting liberty work yet but as you go along maybe test liberty or put the rope around the horses neck and don’t touch it but a good way of getting the horse back if they walk off. Then when things get better take the halter off and just have the rope around the horses neck…soon you’ll be working totally at liberty.

1) Trot to a hula hoop, transition down to a walk and put hind feet into hula hoop

2) Walk to gate together, open gate then back horse through gateway, close gate and walk off.

3) Transitions: walk forward 3 steps. halt. walk back 3 steps. halt. walk sideways (towards or away) 3 steps. halt. walk off.

4) Front feet on a pedestal. halt. Move hindquarters around the pedestal keeping front feet on pedestal 360*

5) Weave at a trot through 4-6 cones. Up to you how you position the cones, straight line or circle!

6) Trot through scary corner, but halt before leaving it. Back all the way through SC and then trot forwards out of it again

7) Halt horse inside a square made of posts and then walk around horse familiarising to some noise, either extreme friendly game with stick/string or swishing of flag or coins in your pocket even…you find what you horse is okay with and use that. Remember this is not about frightening your horse, it’s about allowing them to gradually get used to scary stuff.

8) Trot over a bottle bank (crushed bottles put inside a square made of poles). Try to make it so that horse doesn’t jump it and actually touches/crushes some bottles.

9) Fig 8’s x 2, using jumps.

10) Trailer load or simulate trailer load. Either squeeze horse in from outside or lead in normally, horse must be relaxed and rope must be in a nice ‘smile’ (slightly loose). Halt then back up any way you want.

  • Shelley – HorseSavvy